I fell in love with Cape Cod Kwassa Kwassa a few years ago when a Vampire Weekend festival performance was on telly.
I was listening to a playlist on a run when The Only Living Boy In New York came on and it struck me as the right tone for lockdown. It’s a great song.
It looks like May might be about new music. There’s a new Hinds track out. The new Car Seat Headrest album is out and I’m not sure what to think of it yet. Antonie Tonnon and Beastwars have new music on Bandcamp.
What a month March, 2020 turned out to be. Like much of the planet I spent the second half of the month isolated at home, checking the news a lot, trying to work, and listening to a lot of comfort music.
Once the PM announced a real, proper lockdown I kindof relaxed a bit. Put on new stuff. Chucked on the more obscure radio streams. Some good stuff was found.
My eight year old daughter picked up on The The’s This Is The Day so let’s put that down as the favourite track. You can listen to all the songs on Spotify or in the embedded player below. I guess a Spotify sub is required.
An aside about The The. In the early 2000s I was “the technical guy” at a small company that ended up running an online music store. We used an open source project to manage the catalog and commerce. I had to modify it a bit suit the music content and display different store fronts but it was a pretty great tool.
The search functionality relied on the database’s full text search functionality. Out of the box the full text search wouldn’t index stop words (things like a, the, and, or) or words shorter than four characters. This meant customers searching for “U2” or “the the” didn’t find any results.
It was relatively easy to come up with a way to make “U2” searchable. “The The” required more work, including installing a custom build of the database. It was more effort than it was probably worth but I figured it out! I was quietly proud when you could find “The The” in our search box but not on quite a few other, more popular, e-commerce stores.
I would be very surprised if we sold more than one The The disc.
In early December Spotify compiled my Top Songs of 2019. Leaving aside there is a whole bloody month to go, the results were a little surprising. Venus by Bananarama took the top spot, followed by Battlefords by Hawksley Workman. Tay-Tay’s Me! rounded out the top 3. I know my daughter and I listened to Me! a lot. I would have picked Battlefords for most played. But Bananarama? I suspect the list may not entirely be in order.
There’s some really great songs in the 100 best. Befor We Were Together by Margaret Glaspy is an airworm I was happy to entertain. The various pieces from Blizzard Entertainment games got me through some tough spreadsheets. The National’s I Am Easy To Find contributed a lot of songs.
Fucking Bananarama, though. I remember putting it on for the kids maybe once?