Angry folk follow legendary comic artist into container, yell at him.

Recently Stereogum posted a short article about members of System of A Down and Avenged Sevenfold covering Radiohead’s Street Spirit (Fade Out). I’m always up for a Radiohead cover so I bookmarked the page and finally watched it this evening and commented on the post:

This version is not for me but I was stoked to see that the artist painting a excellent portrait of Radiohead is Bill Sienkiewicz, one of my favourite comics artists ever. I don’t know why they were yelling at him in a container, though. That’s impolite.

The cover of Street Spirit is pretty grim. You’re better off watching pretty much anything on the new Radiohead Public Library archive.

December Tracks, 2019

I use an IFTTT applet that adds tracks that I’ve saved on Spotify to a monthly playlist. In December I tapped the heart icon 14 times.

I haven’t gone back and listened to this playlist yet. Much of December’s listening was Spotify radio tunes and nostalgic tunes to keep the mood up as the year wound down.

I have to hand it to Jarvis Cocker for making a great singalong chorus that I’ll pretty much never be able to sing in the car with my kids. I’ll count Running The world as my favourite. What’s He Building? by Tom Waits confused my kids. FFunny FFriends by Unknown Mortal Orchestra was their favourite.

Top Songs of 2019

In early December Spotify compiled my Top Songs of 2019. Leaving aside there is a whole bloody month to go, the results were a little surprising. Venus by Bananarama took the top spot, followed by Battlefords by Hawksley Workman. Tay-Tay’s Me! rounded out the top 3. I know my daughter and I listened to Me! a lot. I would have picked Battlefords for most played. But Bananarama? I suspect the list may not entirely be in order.

There’s some really great songs in the 100 best. Befor We Were Together by Margaret Glaspy is an airworm I was happy to entertain. The various pieces from Blizzard Entertainment games got me through some tough spreadsheets. The National’s I Am Easy To Find contributed a lot of songs.

Fucking Bananarama, though. I remember putting it on for the kids maybe once?

Righto, Spotify. You do you.

November Tracks, 2019

I use an IFTTT applet that adds tracks that I’ve saved on Spotify to a monthly playlist. In November I tapped the heart icon 16 times.

This month is mix of all-time favourites and new-to-me songs. No Doubt’s Don’t Speak, Bon Jovi’s Wanted Dead Or Alive, and Biz Markie’s Just A Friend are singalong bangers. Get Me is probably my most played Dinosaur Jr song, thanks to it’s inclusion on the first The Trip compilation.

But the best track this month has to be 16 Words, a kindof protest song by Margo Guryan, who recorded the song at age 70. The lyrics are a repetition of a quote from George W. Bush asserting some bullshit about Saddam Hussein’s attempts to create weapons of mass destruction.

October Tracks, 2019

I use an IFTTT applet that adds tracks that I’ve saved on Spotify to a monthly playlist. In October I tapped the heart icon 26 times.

This playlist is mostly tracks I’ve very much liked in the past and it’s the first time I’ve told Spotify of my fondness. 

Most of the tracks, too, were added while singing along to a Spotify radio playlist based on I Don’t Feel Like Dancin’ by Scissor Sisters. Honestly, reader, I don’t think there’s a better seed song for a playlist. Every track is golden.

My favourite new track was Prelude For Time Feelers by Eluvium. It’s a simple piano-based instrumental track that slowly snuck into my head while I was working on a document. Eluvium is actually a  bloke named Matthew Cooper, who, among other things has scored at least one film. Prelude For Time Feelers would feel right at home in an action scene where our heroes die valiantly against impossible odds.

My favourite old track was Parables by Rebekah Higgs, an artist I found via an SXSW mp3 download probably a dozen years ago. I distinctly remember playing some new songs on the stereo in the other room and sorta dozing. When Parables came on I was kinda, sorta unsure if I was fully awake. Dream pop indeed. 

There’s some new tracks from the new The Hold Steady album on there. A couple of tracks from The National’s excellent I Am Easy To Find. And a bunch of britpop and songs I’d dance to if I was the kind of person who found dancing fun. 


The Hold Steady Live on KEXP

I found The Hold Steady in late 2006, just after the release of their third album Boys and Girls In America. I was a new dad, it was a hot summer, and I spent many afternoons pushing a pram around the neighbourhood listening to Craig Finn sing about killer parties, whiskey & ginger, and shenanigans in the chillout tent. I dove into the back catalog and became a firm fan of their bar band meets beat poet vibe.

The later albums were pretty good rock albums but the storytelling didn’t grab me as much. Craig Finn released a few solo albums that seemed closer to the mark. I knew they’d released a new album recently but hadn’t taken the time to give it a solid listen.

After watching this performance for KEXP, that’s gonna change. Denver Haircut and You Did Good Kid seem like a return to the style that I came to know on sunny hills near my house. Thrashing Through The Passion is first up on the playlist tomorrow.

The Unfortunate Weezer Project

In 2012 I wrote an article about Weezer for Riot Radio, a music site published by my mate Mike. Sadly Riot, Radio is offline now so I’ve re-published the post here for posterity.

Remember last year when Mike placed Weezer’s Make Believe on the list of Worst Albums of All Time? He was right then and he’s right now. As Mike says, the Weezer all right thinking people know and love died that day.

Why is it that whenever Weezer put out a new album we all clamour to find out if it’s a return to form? Why do we give Rivers Cuomo another chance when he’s proven time and again he’s Lucy Van Pelt to our Charlie Brown, forever taking away the football at the last second. I think it’s because Weezer’s first two albums are so good that we still think of them as a class band lacking a bit of form.

Chatting with Mike and a few others over the years I’ve wondered if it’d be possible to scour the post 2000 Weezer catalog and make an album that’s as good as the first two. Can you make a set of songs that fits as well together like The Blue Album? Is there a unifying theme that works as well as Pinkerton? Earlier this year I decided to find out.

So how do you construct a new album worthy of Pinkerton? I came up with a few rules and you may or may not agree with them but this is how I decided:

  • There must be at least ten tracks.
  • There must be at least two deep cuts–it can’t be all singles.
  • A majority of the albums must be represented–picking songs from just Maladroit is not allowed.
  • B-sides, extra/exclusive/deluxe tracks, and holiday album tracks don’t count. Those songs should have been on the albums in the first place if they were truly worthy.

Next I dove into the Weezer catalogue and chronological order, taking notes and rating songs from zero to five as I went. Christ, it was hard going. I listened to every tune at least once. Many twice or three times. I reviewed and revised my scores and and pretty much left it at that for six months.

Last month I had another look at the list. There were eleven tunes that rated 4 or higher so I arbitrarily cut it off there. Then I made a playlist in iTunes and Spotify and I’ve listened to it dozens times in different orders and situations since then. I’m finally ready to call it.

You can make a pretty fantastic pop-rock album out of Weezer albums starting with The Green Album but it’s still not as good as the first two. There are some very catchy singles, ambitious anthems, and a more than a few big riffs, but the quality of lyrics has deteriorated so much that most of the songs just don’t have the depth of any random track from the first two albums. Comparing Tired of Sex with Where’s My Sex is just sad. It’s like Rivers just hopes that the songs rhyme. The kids will sing along anyway.

So Mike is still right. The Weezer we know is dead and gone–at least with regard to new recordings. Their current trend of playing The Blue Album or Pinkerton in their entirety gives the hope that Weezer the live act are still awesome, but that’s the best we can hope for.

Here’s the tracks in relatively chronological order with a few of my notes.

Hash Pipe

This was the first “new” Weezer track I heard. I was blown away by the riff and I still love it to this day. I can’t really make out the lyrics particularly well but who cares? That riff is good enough to get the Hash Pipe on the list.

Island In The Sun

Who doesn’t like the Spike Jonze video with all the animals? Nobody with a soul. Island In The Sun is nice a change of pace from a lot of the samey pop-rock that makes up The Green Album. The loud chorus might have found a home on The Blue Album.

Here’s the other version of the video. Not so good.

Dope Nose

“Cheese smells so good on a burnt piece of lamb.” Complete gibberish from Rivers Cuomo and typical of post Y2K Weezer. None of these tracks come close to the honesty of Across the sea from Pinkerton or Say it ain’t so on The Blue Album.

Keep Fishin’

This is pretty much a perfect pop-rock and the fucking Muppets guarantee a video hit. But I am fucked if I know what the song is actually about.

Take Control

The first non-single on this list and it’s here courtesy of that big ol’ metal riff.

Death and Destruction

A variation on the classic quiet/loud formula, Death and Destruction is quite a bit different to the songs on this list and to the other tracks on Maladroit. Of all these tunes, I reckon this is one of only a couple that could find a place on Pinkerton, possibly just after Getchoo.

Perfect Situation

This is the video that turned me back on to the song–Jorge Garcia in full Hurley character rocking out to what has to be the only song he likes on Make Believe.

Perfect Situation is classic Weezer and sounds like a b-side or alternate track from Pinkerton era. A great track.


OK. Is this a prequel to The Good Life? I’m working from the idea that Rivers is not being serious with this song. Because, jeebus.

The Greatest Man That Ever Lived (Variations on a Shaker Hymn)

The wikipedia entry for The Greatest Man That Ever Lived is a fascinating read. The song is made up of eleven different styles and themes and is fucking hard to play on Rock Band.

The lyrics are atrocious. Imagine if the worst of the worst commenters from Reddit and Hacker News collaborated on a song. This is their love child. Just terrible. Great, yes, but terrible.

And yet I can’t help but love it.

Here’s a video of the band playing the song live and pulling it off.

Pork and Beans

Possibly the most honest Rivers has been since the close of Pinkerton. Weezer is now as musically nutritious as a can of Watties beans and they are absolutely fine with that.

Time Flies

A rough and ready track from Hurley and the only song from the last couple of albums to make it on the list. I particularly liked this lyric:

Some sad day, they’ll be taking me away
But I won’t be dead
Cause even when I’m gone, this stupid dance song
Will be in your head

Too fucking true.

If you’ve got Spotify you can listen to all the songs in chronological order in this playlist.

2019 Joe again. Weezer have continued to pump out albums since 2012. All bar Everything Will Be Alright In The End have been garbage. EWBAITA is a keeper, though.